50 DEGREES
A bresilien group. Neomansland.
link>_______________________________________________________
“climate
of fear” (e.g., Bonnici, 2007), and NGOs of “climate
chaos”
(Stop Climate Chaos, a U.K. coalition for action on climate change).
«Images
of polar bears stranded on ice have become iconic of climate change»
(O’Neill, 2008).
I
felt saying that «Ereaut and Segnit (2006) stating that the alarmist climate repertoire is
characterized by an inflated or extreme lexicon», was in itself already giving
it a tone. Alarming as if it was a negative thing with an wrongly urgent tone: «It is a terrible,
immense, and apocalyptic problem, beyond
human control. They find alarmist climate messages employ narratives of
doom,
death, judgment, and heaven and hell.» Don't some trust having the
choice of hell or heaven (not talking about me) ? It all depends on personal choices? Death
being the only thing we don't control? We don't necessarily commit
suicide because we know we will die?
(perhaps even more legitimate and engaged in living for all it's worth, with no religious end of life escape in mind.)
(perhaps even more legitimate and engaged in living for all it's worth, with no religious end of life escape in mind.)
I
know I am sort of throwing all this and thinking out loud, but didn't
wish to postpone this blog until I could -do better-. I had it almost ready
yesterday, hoping to make it more... more paused, with the best examples I
could find or think of, and images to accompany, but I decided to let
the tone out without censure, and really not sure it can't be the other way around, but questioning myself as I go.
Why
is
fear so prevalent in climate change communications? It would guess it
is fair enough and true and transparent, since it is simply
the reality we are facing. We are in the catastrophe. We can alarm and
propose solution but
we certainly should not do the opposite and pretend all is we. Do we
prefer our doc denies you might die soon
or be cured or let’s you know so you can choose therapy or not with a
conscious
mind. I have a friend who was told he had 2 weeks. He had time to say
good-bye
and us to mourn with him. Do we not tell kids about the catastrophe of
drugs?
Isn’t it political correctness not to say/show what harm can do, then,
propose avenues?
This is what I find very Christian Aid oriented personally to take on
the author. Don’t show the war amputees;
just show how war does good to populations. Do
you show a message with flowers in a garden of love for a drug addict to
choose a rehab home?
Or do you tell him the dangers first, make sure he is well aware the
next shot
could be deadly, but offer him an issue with the flowery home? Or
propose the issue with flowers right from the start
telling him there is hope so he might optimistically postpone his
decision to later?
I know Climate change is such a broader issue with invisible links that
comparisons are hard. But many social realities are already deadly to
many populations.
I
appreciate
the work of Adbusters, or Design for the Dissent, or posters saying
–water and
oil don’t mix- printed with Tar spill oil per example (and many others), if the piece as a
great critical engaged idea, they aim to offer some
room for reflection. Perhaps we don’t know that they change the world,
but
like environmentalists in their own communications, visual activists or
engaged designers are trying to
create awareness without being afraid of words or images. Perhaps have
some fields of social/environmental communication not yet been victims
of
political rectitude and are still allowed their own voice? We read
everywhere they are
wrong but I still wonder. I am not
convinced that an Amnesty campaign showing a liberated mom from jail
reunited
with her child is more empowering then the reality of seeing one giving
birth
handcuffed or with a baby breastfeeding behind bars. Aware we can –do-
something to have better conditions for her is a call of proposed
actions to
change. That is what NGO’s do and invite us to listen to and act. If we
don’t,
I feel it is our responsibility. Refusing to see what hurts is another
problem,
but it doesn’t make it go away like in movies where all ends well.
Matthew's proposal of Tim I had liked as well was just as moving to me
as anyone who get's imprisoned for any abuse of rights for telling the
truth.
We
can truly criticize advertising for
inducing greenwashing but social/environmental campaigns are different.
Do we
hold it against our dentist to show us gum damage on an information
piece? Will
it be his fault because it was so discouraging that we chose not to
brush our
teeth? Perhaps our system's fault for fees to be so high to have healthy
teeth. He is a professional, he knows, he informs us, he offers tools,
so it’s
ok. And still, we have seen less people loosing their teeth
in many of our western countries. We didn't deny it from knowing. We didn't rebel brushing our teeth (past 5-6). Isn’t
an environmentalist, a conservationist, an educator, a communicator’s
role to similarly advise us ? Any role as a matter of fact? A vet, a
plumber, a garage person, a fisher person? Perhaps stopping the damage
in time needs
some provocation? After that comes good taste or good concepts, in
optimistic
or catastrophic adds, either way they can be unefficient communication
pieces I
tend thinking. How come we took so long for accusing cigarette companies
but
accuse cigarette smokers so easily? Because now they know? Why does the
–fear-
literature condemn environmentalists but not that easily policy-makers. I
am
sure we can find all opposite example to reflect on the opposite way,
just as
texts of hope and fear have us ponder on. But I guess this is my gut
feeling.
«levels
of alarm are often magnified»
I
don’t find the alarm to have been strong enough personally. I have asked around
me why people think it’s ok not to do much, and answers ranged from people will
only react when they are really scared, to
it’s almost too late, and anyhow people know nature will adapt, scientists said
so, poor countries are such a huge population growth problem, etc.
I hope to come back soon to post more pieces from engaged students.
Vincent Tourigny, Uqam
Charles Brisebois Uqam
Vincent Tourigny, Uqam
Charles Brisebois Uqam
11.12.09 POSTER 4 TOMORROW
01 / 02
03 / 04
05 / 06
07 / 08
09 / 10
______________________________________________________
POSTER 4 TOMORROW
Posters made in my course for Poster4Tomorrow ! (freedom of expression)
01. Jocelyn Blanchard / Your own enemy / Uqam, Montréal, Qc
02. Natacha Castonguay / Pencil behind bars / Uqam, Montréal, Qc
03. Etienne Beaudoin-Vles / Repression / Uqam, Montréal, Qc
04. Etienne Beaudoin-Vles / Trapped / Uqam, Montréal, Qc
05. Mathieu Daudelin / Situation / Uqam, Montréal, Qc
06. Mathieu Daudelin / Propagation / Uqam, Montréal, Qc
07. Olivier Mercier-Chan Kane / Shutter release / Uqam, Mtl, Qc
08. Pier-Philippe Rioux / Censorship / Uqam, Montréal, Qc
09. Sophie De Henau / Shut up / Uqam, Montréal, Qc
10. Sophie De Henau / When freedom is kept quiet / Uqam, Mtl, Qc
In 24 cities at once.FLICKR
Environmental Magazine covers from from 2006 students.
Christophe de Muri / 2.Benoît Tradif / 3.Sonia Roy / 4.Alexis Coutu-Marion /
Quebec
no woods |
Subway
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